Tag: #digitalart

Social distancing – Week 9: “Piper in the Woods”, an online exhibition

After having visited tons of online exhibitions and VR rooms, I found one show that finally made use of the digital space acknowledging its dimensional characteristics. “Piper in the Woods” (live until 15th June 2020) is an online group show responding to the pandemic organized by the art platform Isthisit?, curated by its founder and director Bob Bicknell-Knight.

Piper in the Woods screenshot
Piper in the Woods screenshot

The exhibition presents five videos and one sound work by five artists – John Butler, Stine Deja, Emily Mulenga, Tamsin Snow and Petra Szemán. The works look at possible futures in which technology and AI impact and govern our daily lives. As Bicknell-Knight explains in the press release, the show takes its title from the 1953 short story of the same name by Philip K Dick.

Imagination_195302_cover taken from Piper in the Woods - Wikipedia
Imagination_cover taken from Piper in the Woods – Wikipedia

The science-fiction plot sees an army doctor, Henry Harris, examining the strange behaviour of several soldiers who, after returning to the Earth from an expedition to asteroid Y-3, claim they have become plants. With this belief, the soldiers stopped working and passed their time in the sun, like plants, meditating about how work is unnecessary and even harmful for our well-being. The story is part of the display and can be read on the left of the screen while navigating the exhibition space.

The videos are arranged to use the space horizontally rather than vertically. Thus, the exhibition occupies a space that goes outside the borders of a standard web page. The background is white mimicking both the white cube gallery space and, as the curator explains, “the soldiers’ deviation from the norm and into the unknown forest.” The only environmental feature in the room is given by the loop of “Last Resort” (2020), a sound work by Stine Deja which accompanies the visitor’s journey by offering the acoustic ambience.

The artists’ works tell the stories of individuals who, in a hi-tech world, spend their lives in solitude with no or little interaction with other humans. “Piper in the Woods” introduces us to a series of unappealing scenarios which, in this time, seems more likely to happen than ever before.

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Social distancing – Week 6: “2 Lizards” by Meriem Bennani and Orian Barki

Have you ever read “The Best and The Worst of The Art World” which Artnet publishes every Friday? It is a bullet point list of news divided into two categories, predictably “Best” and “Worst”. Reading it is for fun. It is like taking a quiz in which one can also learn by reading just the news in capsules. Often, while going through the list, I become curious about something and decide to go deeper by clicking on the article links. It was in this way that I found out about the popular video series, “2 Lizards”. The project was launched on Instagram IGTV in early March by artist Meriem Bennani, in collaboration with documentary filmmaker Orian Barki (both millennials and based in New York).

The series is presented in 2-minute episodes mixing 3D-renderings of animals set against real footage. The main characters are two lizards living in Brooklyn during the lockdown sharing their thoughts, concerns, and feelings of isolation. The neighbours are animals of other species. Since the first episode (there are five to date), the artist duo has been contacted by creatives willing to contribute to the project. So, they opened up and started remote collaborations with friends and peers, adding soundtracks and voices to the films.

Episode 1 went viral getting more than 154k views at the time of writing. How comes that these short videos are so popular??? They are comforting. We can easily identify with the animated characters as they express our own feelings perfectly. In fact, both plots and dialogues are taken from everyday situations we are all living through in this strange time of social distancing. In the first chapter, the 2 lizards snoop at their neighbourhood from a terrace while conversing on the quarantine optimistically. “In a fucked up way, I’m loving this,” says one. The other answers back: “That is such a quarantine week one thing to say.” 

Episode 4 is about a feline nurse’s day-to-day life who talks with the two reptiles. The cat-nurse reports one heart-breaking event that happened during one of her shifts at the hospital. A patient connected to a ventilator, telephones his wife. The nurse, who was holding the mobile to the patient’s ear, explains how bad she felt as all the wife could hear was a ventilator. The video ends with the ubiquitous clapping for carers from balconies, and the nurse asserting “this pandemic has made me way cooler than I really am.”

Episode 5 is probably the most iconic of the series until now. The 2 reptiles go out for a stroll in a deserted New York City. They discuss how the city has changed and how, after all, still looks normal if not for the frozen economy. At a certain point, one of the lizards gets a call from her French mother. The mother-daughter chat reveals a condition familiar to many living in big cities, living overseas from their families while having news updates from home countries. When the phone call ends, the other companion needs to pee. Soon the buddies realise nothing is really the same during the lockdown. Starbucks is closed, and the lizard answers the call of nature in Time Square, pointing out that there is nobody around.

Bennani and Barki cunningly translate what we hear and see on TV and social media onto these witty micro-videos. What I felt from watching the episodes is that I am a person like many others. I find in these short animations something that belongs to me too, hope and anxiety. The reptiles’ lives and their dialogues perfectly embody our current ordinary in the uncertainty of the pandemic.

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Social distancing – Week 4: The Ozone Layering Method by Keiken

This week I explore the Ozone project by the art collective based in Berlin and London, KeiKen, who took over Hek’s Instagram page last Tuesday.  HeK (House of electronic arts in Basel, CH) invited the collective as part of the lockdown initiative, #HekNetWorks which supports artists’ net-based projects created during the pandemic.

For the event, Keiken launched the Ozone filter, a new Instagram filter through which users could practice meditation connecting with their surrounding environment. The filter generates an augmented reality where the environment is layered onto the users’ face appearing as one entity. The project has been presented as the Ozone Layering Method for which Keiken led Livestream lessons. The collective taught how to use the filter (you can find it on both Hek and Keiken’s Instagram pages) to reach our higher selves through the digital spiritual practice. From the Ozone Layering Method steps: “users must practice still or with slow movements whilst their environment moves around them.” You can practice anywhere, but the best effects are obtained when outside.

https://www.instagram.com/p/B-9af0bFKft/

If you use the filter in the open air, your surrounding reflects onto your face. I thought that having the sky on my face was a gorgeous idea, and I decided to try the Ozone filter. As soon as I tried it and had the sky mapped onto my forehead, a song popped up in my mind, “Il Cielo in Una Stanza” (The Sky in a Room) by Gino Paoli (1960). This song was used in 2018 by the Icelandic artist Ragnar Kjartansson for a performance co-commissioned by Artes Mundi and National Museum of Wales, “The Sky in a Room” (3rd Feb – 11th Mar 2018 at the National Museum of Cardiff). In a video, the artist said: “Gino Paoli wrote about being in a space that suddenly transforms into endless woods, the ceiling becomes sky with stars etc. […] and everything becomes, transforms.”

Therefore, when outdoor using Keiken’s Ozone filter, your head (the walls) clears and becomes sky. The result is potentially endless and pure content that occupies our minds in the digital reality we inhabit while using Instagram. Definitely a beautiful way to use social media during such an uncertain time!

After the takeover of Hek’s Instagram page last week, Keiken announced they will launch a new filter every Tuesday of the lockdown. Today is Tuesday, so stay tuned, meditate, and visit @_Keiken_ to find out what’s next!

Screenshot taken from Keiken story of Monday 21st April.
Screenshot taken from Keiken story of Monday 21st April.

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Social distancing – Week 3: “Stay at Home” & [The Art Happens Here] by Annka Kultys Gallery

screenshot of Surface Collider (23032020) by James Irwin. available at AKG - the art happens here - week 1
screenshot of Surface Collider (23032020), 2020, by James Irwin. Featured in week 1 of “Stay at Home” at AKG

At the beginning of April, Annka Kultys Gallery – a commercial gallery based in East London founded by Annka Kultys in 2015 which represents artists working in the digital sphere – launched a new online platform, [The Art Happens Here]. The platform will showcase “Stay at Home”, a new exhibition of digital art made in response to the Coronavirus pandemic. As with many other galleries, soon after the lockdown announcement in  March, AKG switched its exhibition programme to a digital viewing room. However, [The Art Happens Here]  is an online project on its own which extends beyond the existing gallery programme. The new platform opens up, as written in AKG newsletter, to “online projects of any artist interested in the internet as place of production and distribution.”

 [The art happens here] is an important development in the gallery’s evolution, one that not insignificantly mirrors the evolution of artists’ practices and indeed art itself.

Every Sunday during the lockdown, “Stay at Home” showcases a new artist who investigates the pandemic situation. The artists are selected through an open call, and the exhibition is free and open to everyone (you can access through [The Art Happens Here]). Over the weeks, new posts are added so that, through solo presentations, “Stay at Home” becomes a group show. The idea is not new to AKG. In fact, presenting collective exhibitions through one-week solo shows is a familiar format to Annka Kultys who, the past winter, opened “Cacotopia 04” (11th Jan – 15th Feb 2020), the fourth edition of the gallery’s annual survey of leading emerging artists in the contemporary art space. Like “Stay at Home”, also “Cacotopia” four editions are group exhibitions presented in the format of solo shows allocated to a single artist every week.

week 3 AKG instagram story 1 of 2 - OPEN CALL
week 3 AKG Instagram story 1 of 2 – Open Call

Whereas the two projects are similar, they are not identical. In fact, “Cacotopia” lasts four weeks and consequently showcases four artists only. While “Stay at Home” will present a new artist each week the lockdown goes on. Hopefully, these will be just a handful of weeks, but as we can see from other countries, the lockdown could last 10 weeks or more (i.e., Italy is in its 7th week and the lockdown has just been extended for another month. Now planned to end early May 2020). Therefore, by continuing over time and presenting more artists, there is potential that “Stay at Home” will become a much bigger and more articulated project than its older brother “Cacotopia” and could even serve as new digital art database.

screenshot of Social Disstancing Portraits, 2020, by Adad Hannah. available at AKG - the art happens here - week 2
screenshot of Social Distancing Portraits, 2020, by Adad Hannah. features in week 2 of “Stay at Home” at AKG

On one side, the group exhibition format of single-artist-presentations allows “Stay at Home” to be identified as a creature of Annka Kultys Gallery progressively establishing the gallery signature. On the other side, the gallery is not only doing a great act of gallantry by giving a chance to ‘any’ artist to be exhibited by a commercial gallery but also providing a platform, namely [The Art Happens Here], where art made during the quarantine can be seen by the people.

Ah! and if this is not enough, all the gallery benefits of the sold works will be donated for Coronavirus research!

week 3 AKG instagram story 2 of 2 - Open Call
week 3 AKG Instagram story 2 of 2 – Open Call

 

Stay Home Instagram