Tag: #collective

Be-coming Tree

When I think about 2020, I see two things. The first is the pandemic with its social distancing measures. The second is the collective effort and need among people to come together using digital technologies and support each other. This is also evident in the art world, where many art programmes have been launched to support artists and creatives. Be-coming Tree is one of them! An artist-led ecological initiative born to give visibility to artists whose practice share kin bonds with trees. Through a grassroots organisation, the project explores and examines strategies for artists to connect with audiences online while collectively contributing to the care and conservation of trees and woodlands, the lungs of the earth. 🌲🌳 🌲

The initiative originated from a performance by the Slovenian artist Jatun Risba which took place at the end of April. From there, Risba was joined by two British artists, Danielle Imara and O. Pen Be, and “Be-coming Tree” developed into a collective project promoted and operated through the homonymous Facebook page. Over these past few months, the collective launched a series of open calls inviting artists to share and promote their artworks in the virtual window that the page offered. In this way, “Be-coming Tree” soon became a platform where artists and creatives can interact and foster kinship with trees while sharing ideas and works which could be freely accessed by all users.

‘Be-coming Tree’ actio by Jatun Risba performed in Panovec woods in Slovenia. Photo courtesy of the artist.
‘Be-coming Tree’ actio by Jatun Risba performed in Panovec woods in Slovenia in April 2020. Photo courtesy of the artist.

On 1st of August and 31st of October, two “Be-coming Tree” art events went live on Zoom using its by-now-familiar conference call format. On both occasions, and in line with the projects’ idea, the participating artists joined the meeting and live-streamed their communion with local trees and plants. The events were also open to the public who could attend the virtual conference upon payment of a donation ticket whose proceeds will be devolved into tree planting to help forests’ restoration.

From the 2nd Be-coming Tree Live Art Event press release:

“The 2nd Be-Coming Tree durational Live

Art event encompasses 20 live-streamed

performances with and about trees happening

simultaneously across the globe. Viewed on

the same screen via a shared Zoom conference,

this multitude of artistic actions offers

audiences an experience of entanglement with

nature through technology. Be-Coming Tree

is a one-hour global artistic event embracing

a perspective of interspecies kinship and

grassroots decentralisation.”

Be-coming Tree 2nd Live Art Event – Autumn 2020. Photo courtesy Be-coming Tree
Be-coming Tree 2nd Live Art Event – Autumn 2020. Photo courtesy Be-coming Tree

I joined the 2nd event in October, during which twenty international artists connected to the internet and live-streamed their performances. Private gardens, trees, woodlands, potted plants, pruned branches and outdoor spaces were the protagonists of the stages, and the performers played in and around them. For the whole hour, each artist communed and coexisted in harmony with plants and trees through dances, meditations, rituals, and walks. There was a reverential atmosphere which conveyed a sense of unity to the myriad of performances.

Be-coming Tree 2nd Live Art Event – Autumn 2020. Screeshot courtesy Be-coming Tree
Be-coming Tree 2nd Live Art Event – Autumn 2020. Screenshot courtesy Be-coming Tree

By using social media and free platforms like Zoom, “Be-coming Tree” generated a passionate tribe of artists and supporters. It strikes me how, by investing zero capital and with no institutional support, Risba, Imara, and O. Pen Be successfully created a social platform. A digital space which provides not only opportunities for people to gather and re-establish ancestral connections with trees but also tangible ways to give visibility to artists worldwide and fund tree planting. “Be-coming Tree” demonstrates how artists, through their work, can contribute to building a better future for all the living organisms, equally. In fact, it proves there are, and always will be, ways to come together, support each other, and make an impact in the world.

 

The third event will be on 9th January 2021 and the open call to participate is now live! 🌲 🌳🌲

Social distancing – Week 7: Home Cooking – “Collective Intelligence” a collectively owned artwork

Home Cooking, “a digest of new artworks, scores, events, and actions started during this time of suspension.” Its first post on Instagram is dated 22nd March 2020, the day the lockdown started in London. The project was kicked off by the British artist Marianna Simnett together with peer artists and friends. Home Cooking is a platform where artists, creatives, and thinkers from around the world share their ideas and projects. How? Through Instagram posts and takeovers, Livestream interventions, conversations, and interviews on Instagram, Twitch, and Zoom. Art is the beating heart of the project.

It is though Home Cooking that I learnt about the new typeface, “Emergence”, created by artist Agnieszka Kurant in collaboration with designer and typographer Radim Pesko. The font is the result of a couple of years of work during time which the duo has been collecting and analysing 26 different typefaces. Like in a puzzle, “Emergence” has been made by assembling small parts obtained by breaking down the structure of the 26 fonts. On Friday 24th April, during the project presentation in Home Cooking, Kurant and Pesko unveiled the first version of “Emergence.”  They explained that the font could take on different shapes and change by diversifying the assembling combinations. After the initial presentation, Kurant launched an open call inviting artists, writers, and thinkers to participate by submitting a sentence that reflects on the Coronacene. The gathered sentences will form a collectively owned artwork, “Collective Intelligence.”  The open call announces that the collectively made work would be auctioned so to generate revenue to be shared among the artwork’s authors.

From Home Cooking – 12th May 2020:

Dear friends and friends of friends,
A few days ago on Home Cooking, we launched a collective-intelligence artwork that I developed together with the typographer Radim Pesko — the typeface we called “Emergence.”
A video of the presentation and discussion we had for Home Cooking with the sociologist Janek Sowa and the theorist Stephen Wright around the concepts behind Emergence can be found here:
https://vimeo.com/414483803
We are kindly inviting artists, writers, and thinkers to send us a single phrase or sentence, reflecting on the ways in which today, especially during the Coronacene, both the self and the crowd have mutated into new, unexpected forms. Let’s think and talk about collective intelligence, the evolution and plasticity of the social brain and social bonds, self-organization, solidarity, the multitude, the self as polyphony, and the future of singular versus hybrid/collective authorship and sympoiesis/collective creativity. Please send us single phrases or sentences around these questions and we will turn them into individual posters using the Emergence typeface. This collection of posters will form Collective Intelligence: an artwork based on collective authorship, collective ownership, and profit sharing. Our goal is for this artwork/collection to be exhibited as a whole and collectively owned by many “shareholders,” both institutions and individuals. We hope to auction the poster collection’s “shares” several times and each time redistribute the profits among participating artists, writers, and thinkers who need it most these days. It could develop into many interesting directions. Please send your contributions (a single sentence or phrase) to Radim Peško mail@radimpesko.com or myself info@kurantstudio.com. Please share this freely with other artists, writers, and thinkers.

The investigative aspect of “Collective Intelligence” dominates the whole project. The resulting artwork and its potential sales and profit will test not only the possibility to generate income for a group but also the concepts of collective ownership and authorship. Whereas, it is no doubt that thinking about Universal  Basic Income and testing its feasibility is crucial in the age of Coronacene. As the project requires the mental switch from individual to a collective mind-set with the subsequent knockdown of capitalistic ideas, I expect this to generate extensive debate. So, let’s stay tuned and follow the project on #collectiveintelligence and  @____homecooking____

Stay Home Instagram