Category: climate change

Social distancing – Week 11: The state of our lives

 

In the past weeks, we saw people dying from a new virus. We locked ourselves in our homes and started wearing masks to protect us and our beloved. We started working remotely, and everything went digital. We met on Zoom and had virtual dinners with friends. Exhibitions and art fairs have been converted into VR. Private views happened online. Museum collections have been made accessible to the public online. Gallerists, artists, critics, and collectors talked on live streams. Podcasts and online Yoga sessions boomed. Many of us lost their jobs. Many of us have been furloughed. Nearly two million people claimed Universal Credits. Air transport has been stopped, and planes grounded. We pledged for the universal basic income. We mourned for the killing of George Floyd.  “Please, I can’t breathe” reached the ears of the whole world but the ones of his murderer, the policeman Derek Chauvin. Rage stirred up our hearts. We flooded the streets to protest in support on BLM and against systemic racism. We tore down colonialist monuments of slave-traders. City officials boarded up monuments in London to prevent further damage. Far-right supporters arrived in London to counteract BLM protesters. Protecting British monuments was their pretence. “All lives can’t matter until black lives matter”. We have been alone but together. Parks are full of litter and oceans of plastic. Climate change and global warming are still happening. Our planet is still in an emergency. Now we are preparing for the reopening. Lockdown rules have been relaxed. From Monday, some art Galleries will open again by appointment only. We keep using masks. Planes are still mainly grounded. Anyone entering the UK has to self-isolate for 14 days. France closes its borders to Britons reciprocally. BA, Easy Jet, and Ryanair combined to sue the government over the quarantine. The country GDP reached its lowest record in history (-20% in April). Recession is knocking. Brexit trade meetings are ongoing. Turmoil is the state in which we live.

Social distancing – Week 5: Earth Day 2020

I started this post, initially, writing about how galleries are collaborating to create online events. A couple of examples are “Platform New York” and “Platform London” launched by David Zwirner to support smaller galleries in the respective cities. Also, I found “Not Cancelled”, which instead presents online art weeks in different European cities (this week is the turn of Warsaw and Paris – until April 30th and May 5th respectively). As we are continuously overwhelmed by cyber art events, Livestreams, and tips to get through social distancing, I felt my topic has become less exciting. So I changed the subject and chose to offer you some hints to reflect on our world and the time we live in. Wednesday 22nd April 2020 was the Earth Day and two artists – Olafur Eliasson and Michael Moore – responded to the event by presenting their latest projects.

For the occasion, the Danish-Icelandic artist Olafur Eliasson launched “Earth Perspectives”, a new interactive work that invites the public to think about the planet we inhabit. Presented as part of the Serpentine Galleries’ “Back to Earth” initiative, the artist’s new project comprises nine animations which have been posted on Instagram at different hours of Earth Day 2020. Each animation represents the globe in pink (land) and orange (oceans) seen from different latitudes. In the centre of each representation, there is a black spot at which we are asked to stare for 10 seconds. After that, if we focus on a neutral surface, an afterimage appears. Each animation highlights one different environmental issue and, through the optical trick, encourages the audience to think about climate change from different perspectives.

Meanwhile, in America, the filmmaker, author, and activist Michael Moore released his new film, “Planets of the Humans”. The documentary shows green energy solutions are not clean and renewable as they seem to be. Moore argues that they rely upon fossil fuel to function, and brings as examples solar and biomass energies, among others. On one side, the film leaves spectators puzzled about the sustainability of green energy as a means to save our planet. On the other hand, it provoked (and still does) the anger of many from environment campaigners to scientists. As reported from the Guardian, “Films For Action, an online library of videos, temporarily took down the film after describing it as ‘full of misinformation’.” Aside from the harsh critique, the documentary highlights that we, human beings, are too many, and our beloved planet is overpopulated. Consequently, there are not enough resources for all.

Eliasson engages the audience through Instagram, while Moore makes his work available for free on both Film For Action and YouTube. Both are using hugely popular online platforms to spread their work and get people thinking about climate change. Indeed, we are challenged to question the information we retrieve to tackle the problem with fresh eyes. Will we find viable solutions to preserve humankind whilst also protecting planet Earth? Are we supposed to choose between the two?

I don’t know.

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