Author: benedettaturlon@gmail.com

Be-coming Tree

When I think about 2020, I see two things. The first is the pandemic with its social distancing measures. The second is the collective effort and need among people to come together using digital technologies and support each other. This is also evident in the art world, where many art programmes have been launched to support artists and creatives. “Be-coming Tree” is one of them! An artist-led ecological initiative born to give visibility to artists whose practice share kin bonds with trees. Through a grassroots organisation, the project explores and examines strategies for artists to connect with audiences online while collectively contributing to the care and conservation of trees and woodlands, the lungs of the earth. 🌲🌳 🌲

The initiative originated from a performance by the Slovenian artist Jatun Risba which took place at the end of April. From there, Risba was joined by two British artists, Danielle Imara and O. Pen Be, and “Be-coming Tree” developed into a collective project promoted and operated through the homonymous Facebook page. Over these past few months, the collective launched a series of open calls inviting artists to share and promote their artworks in the virtual window that the page offered. In this way, “Be-coming Tree” soon became a platform where artists and creatives can interact and foster kinship with trees while sharing ideas and works which could be freely accessed by all users.

‘Be-coming Tree’ actio by Jatun Risba performed in Panovec woods in Slovenia. Photo courtesy of the artist.
‘Be-coming Tree’ actio by Jatun Risba performed in Panovec woods in Slovenia in April 2020. Photo courtesy of the artist.

On 1st of August and 31st of October, two “Be-coming Tree” art events went live on Zoom using its by-now-familiar conference call format. On both occasions, and in line with the projects’ idea, the participating artists joined the meeting and live-streamed their communion with local trees and plants. The events were also open to the public who could attend the virtual conference upon payment of a donation ticket whose proceeds will be devolved into tree planting to help forests’ restoration.

From the 2nd Be-coming Tree Live Art Event press release:

“The 2nd Be-Coming Tree durational Live

Art event encompasses 20 live-streamed

performances with and about trees happening

simultaneously across the globe. Viewed on

the same screen via a shared Zoom conference,

this multitude of artistic actions offers

audiences an experience of entanglement with

nature through technology. Be-Coming Tree

is a one-hour global artistic event embracing

a perspective of interspecies kinship and

grassroots decentralisation.”

Be-coming Tree 2nd Live Art Event – Autumn 2020. Photo courtesy Be-coming Tree
Be-coming Tree 2nd Live Art Event – Autumn 2020. Photo courtesy Be-coming Tree

I joined the 2nd event in October, during which twenty international artists connected to the internet and live-streamed their performances. Private gardens, trees, woodlands, potted plants, pruned branches and outdoor spaces were the protagonists of the stages, and the performers played in and around them. For the whole hour, each artist communed and coexisted in harmony with plants and trees through dances, meditations, rituals, and walks. There was a reverential atmosphere which conveyed a sense of unity to the myriad of performances.

Be-coming Tree 2nd Live Art Event – Autumn 2020. Screeshot courtesy Be-coming Tree
Be-coming Tree 2nd Live Art Event – Autumn 2020. Screenshot courtesy Be-coming Tree

By using social media and free platforms like Zoom, “Be-coming Tree” generated a passionate tribe of artists and supporters. It strikes me how, by investing zero capital and with no institutional support, Risba, Imara, and O. Pen Be successfully created a social platform. A digital space which provides not only opportunities for people to gather and re-establish ancestral connections with trees but also tangible ways to give visibility to artists worldwide and fund tree planting. “Be-coming Tree” demonstrates how artists, through their work, can contribute to building a better future for all the living organisms, equally. In fact, it proves there are, and always will be, ways to come together, support each other, and make an impact in the world.

 

The third event will be on 9th January 2021 and the open call to participate is now live! 🌲 🌳🌲

Returning to exhibitions: “Late Klee” at David Zwirner London

After almost four months of lockdown, I decided the time has come to take my bike and ride into London to visit a gallery. Only a few commercial galleries re-opened since 15th June, and many of them welcome visitors by appointment only. I booked the grand event at David Zwirner to visit “Late Klee” (open until 31st July 2020), a display of sketches and paintings made by the German artist Paul Klee (1879-1940) between 1930 and 1940.

Because of the political and economic uncertainty coming from BREXIT and the pandemic, I have been looking at history frequently. This also determined my choice to see Klee’s exhibition, whose oeuvre I remember from the years spent studying fine art in Venice. When I think of Klee’s work, my mind goes back to prof Riccardo Caldura’s classes in which he explained the significance of displaying a small oil-transfer Klee made in 1920, “Angelus Novus”, at Documenta XII (Kassel, 2005). The history of this work is as important as the piece itself. In fact, after buying it in 1921, the philosopher Walter Benjamin interpreted the depicted figure as “the angel of history”.

Klee-paul-angelus_novus-1920-imagen taken from Wikipedia
Klee-paul-angelus_novus-1920-imagen taken from Wikipedia

“A Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress”.

Walter Benjamin, “Theses on the Philosophy of History“, Illuminations, trans. Harry Zohn, New York: Schocken Books, 1969: 249.

I think Angelus Novus is the work which best represents this very moment in our lives in which Coronavirus forced us to think, test, and develop new ways of living.

So, here I am at David Zwirner wearing my pink bandana like a bandit. “Late Klee” occupies two stories of the Georgian building in Grafton Street and does not include “Angelus Novus”. The exhibition displays an array of small works, mostly drawings, Klee made between the years the Nazi party was gaining power and the return to his home country, Switzerland, in 1933, showcasing works made until Klee’s passed over on 29th June 1940.

Perlen und Traenen (Pearls and Tears), 1939 - photo taken at David Zwirner July 2020
Perlen und Traenen (Pearls and Tears), 1939

These drawings are neat lines with no chiaroscuro, a style that allowed Klee to clearly represent his imagery by taking out the unnecessary. In observing such firm lines, drawn with no hesitation as if the artist was in a state of illumination, visitors can find calm. This, I think, is further enhanced as the curatorial strategy seems not to stress much on the socio-political turmoil that marked the years between the two World wars to allow an ample view on Klee’s varied subjects.

Late Klee installation view at David Zwirner - photo taken July 2020
“Late Klee” at David Zwirner – installation view – July 2020

As if the missing of Angelus Novus from the showcase allows us to forget the weight of history, we leave the exhibition with a sense of relief and tranquillity. Maybe even with the hope that our future will find clarity through smart and firm decisions in the style of late Klee’s clear and straightforward drawing technique.

Social distancing – Week 11: The state of our lives

 

In the past weeks, we saw people dying from a new virus. We locked ourselves in our homes and started wearing masks to protect us and our beloved. We started working remotely, and everything went digital. We met on Zoom and had virtual dinners with friends. Exhibitions and art fairs have been converted into VR. Private views happened online. Museum collections have been made accessible to the public online. Gallerists, artists, critics, and collectors talked on live streams. Podcasts and online Yoga sessions boomed. Many of us lost their jobs. Many of us have been furloughed. Nearly two million people claimed Universal Credits. Air transport has been stopped, and planes grounded. We pledged for the universal basic income. We mourned for the killing of George Floyd.  “Please, I can’t breathe” reached the ears of the whole world but the ones of his murderer, the policeman Derek Chauvin. Rage stirred up our hearts. We flooded the streets to protest in support on BLM and against systemic racism. We tore down colonialist monuments of slave-traders. City officials boarded up monuments in London to prevent further damage. Far-right supporters arrived in London to counteract BLM protesters. Protecting British monuments was their pretence. “All lives can’t matter until black lives matter”. We have been alone but together. Parks are full of litter and oceans of plastic. Climate change and global warming are still happening. Our planet is still in an emergency. Now we are preparing for the reopening. Lockdown rules have been relaxed. From Monday, some art Galleries will open again by appointment only. We keep using masks. Planes are still mainly grounded. Anyone entering the UK has to self-isolate for 14 days. France closes its borders to Britons reciprocally. BA, Easy Jet, and Ryanair combined to sue the government over the quarantine. The country GDP reached its lowest record in history (-20% in April). Recession is knocking. Brexit trade meetings are ongoing. Turmoil is the state in which we live.

Social distancing – Week 10: Days of Protests

On Monday 25th May in Minneapolis, Minnesota, the policeman Derek Chauvin, held his knee to George Floyd’s neck for nearly nine minutes. Floyd kept repeating “Please, I can’t breathe”, but Chauvin did not listen to the imploring man. By the time the paramedics arrived, it was too late. George Floyd, a 46-year-old black man, was dead.

The murder has been filmed, and its video went viral straight away, stirring the anger of thousands. Soon, enraged protests sparked in Minneapolis and in response, president Trump threatened black American citizens with barbaric murdering by tweeting: “When the looting starts, the shooting starts.” As a result, protests took place all over the country, also counting several episodes of violence. In an attempt to counteract violence in the streets, on Monday 1st June, NY Mayor De Blasio, announced a citywide curfew (the last curfew was put in place in 1943). Since the curfew announcement, protesters got together against police brutality and systemic racism worldwide.

The makeshift memorial outside Cup Foods where George Floyd was murdered by a Minneapolis police officer
MINNEAPOLIS , MINNESOTA – MAY 31: The mural and makeshift memorial outside Cup Foods where George Floyd was murdered by a Minneapolis police officer on Sunday, May 31, 2020 in Minneapolis , Minnesota. (Jason Armond / Los Angeles Times via Getty Images)

The art world rose its voice in solidarity with rioters too. Alongside joining demonstrations, artists have been painting murals in Floyd’s memory in the US, Europe, Syria, and elsewhere. Email inboxes flooded with newsletters stating the organisation’s support to the Black Lives Matter movement. Emails which often include tips on how to safely protest amidst the threat of Coronavirus.

In Minnesota, the Walker art Centre and the Minneapolis Institute of Art have pledged to cut ties with the Minneapolis Police Department by stopping hiring police at their events. Collecteurs – the collective museum of private collections based in NYC – converted its Instagram profile into a live archive of the BLM movement. Their Instagram page showcases historical images related to black people long-lasting fight for their rights as well as real-time footage of current protests. Cultural organisations from around the world are campaigning in support of BLM. These vastly share bail funds and reading lists to inform their audience while providing the tools to help protesters.

All these are just some example of an overall soft contribution. However, hopefully these small actions will lead to a more radical change within an industry which is still predominantly white.

Raised fist – black power symbol – image taken from Pinterest

 

Social distancing – Week 9: “Piper in the Woods”, an online exhibition

After having visited tons of online exhibitions and VR rooms, I found one show that finally made use of the digital space acknowledging its dimensional characteristics. “Piper in the Woods” (live until 15th June 2020) is an online group show responding to the pandemic organized by the art platform Isthisit?, curated by its founder and director Bob Bicknell-Knight.

Piper in the Woods screenshot
Piper in the Woods screenshot

The exhibition presents five videos and one sound work by five artists – John Butler, Stine Deja, Emily Mulenga, Tamsin Snow and Petra Szemán. The works look at possible futures in which technology and AI impact and govern our daily lives. As Bicknell-Knight explains in the press release, the show takes its title from the 1953 short story of the same name by Philip K Dick.

Imagination_195302_cover taken from Piper in the Woods - Wikipedia
Imagination_cover taken from Piper in the Woods – Wikipedia

The science-fiction plot sees an army doctor, Henry Harris, examining the strange behaviour of several soldiers who, after returning to the Earth from an expedition to asteroid Y-3, claim they have become plants. With this belief, the soldiers stopped working and passed their time in the sun, like plants, meditating about how work is unnecessary and even harmful for our well-being. The story is part of the display and can be read on the left of the screen while navigating the exhibition space.

The videos are arranged to use the space horizontally rather than vertically. Thus, the exhibition occupies a space that goes outside the borders of a standard web page. The background is white mimicking both the white cube gallery space and, as the curator explains, “the soldiers’ deviation from the norm and into the unknown forest.” The only environmental feature in the room is given by the loop of “Last Resort” (2020), a sound work by Stine Deja which accompanies the visitor’s journey by offering the acoustic ambience.

The artists’ works tell the stories of individuals who, in a hi-tech world, spend their lives in solitude with no or little interaction with other humans. “Piper in the Woods” introduces us to a series of unappealing scenarios which, in this time, seems more likely to happen than ever before.

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Social distancing – Week 8: Roaming

I spent the last week roaming the web looking for inspiration and guidance, both in life and art. I discovered and lingered in content that spoke to me about our existence. My tone might sound a bit apocalyptic. Still, all this ‘digital life’ in lockdown is shaking my foundations leaving me –and maybe you as well – with a sense of being disconnected from reality. I found some positive vibes in reading and looking at images on the internet. I read The Alchemist by Paulo Coelho and a 2019 interview by Andrew Goldstein with Emmanuel Perrotin. I looked at some shots on Princess Cheeto and at the posters designed for 2020Solidarity crowdfunding project.

the Alchemist by Paulo Coelho cover taken from Waterstones
Image taken from Waterstones.com

The Alchemist, probably the simplest yet most inspiring book I have ever read, narrates the adventures of Santiago, a young shepherd who chooses to follow his dream. The main character is a human being who, like all of us, has fears and doubts. He questions ordinary things such as animals, the world, and his dreams. Fascinatingly, there seems to be always at least one moment in the story when the reader identifies herself with the shepherd. The book unveils how Santiago finds inspiration and determination to pursue his dream after every difficulty that appears in his path. This is an inspirational fable which helps to keep the light up in this dark time.

Gallery owner Emmanuel Perrotin in Paris on May 20, 2019 - Photo - JOEL SAGET-AFP-Getty Images - taken from Artnet
Gallery owner Emmanuel Perrotin poses during a photo session in Paris on May 20, 2019. (Photo by JOEL SAGET/AFP/Getty Images) – image taken from Artnet

In what seems to be the factual world, I got absorbed in the reading of an interview with the French art dealer Emmanuel Perrotin, published on Artnet last June. Did you know he began working at an art gallery at the age of 17? Surely those were different times, but I really liked that he did not become one of the most prominent art dealers in the world overnight. The gallerist talked of how, in order to slowly establish his legacy, he spent many years taking the risk to nurture and represent young artists. Perrotin led his battles with victories and failures precisely like the majority of people.

Still, in my addictive browsing activity, I found some rest from my COVID-19 anxieties on @princesscheeto, an Instagram profile and website about cats. Here a creative photographer expresses her talent by shooting her furry pets in colourful yet improbable sets. The style is of fashion photography and shows a good knowledge of editing. You can find a snooty cat, a cat-ice-cream sandwich, sailor cats, a wizard-cat and so on. Leaving a smile on my face, these joyful pictures reminded me that you can be creative even when showing your skills and talent. Thumb down to boredom and let’s cheer up with creativity and colours in this harsh time of confinement!

Anne Imhof Eliza Douglas in Anne Imhof, Imagine, Galerie Buchholz, 2019, Photography: Nadine Fraczkowski 2019 - Image taken from Between Bridges website
Anne Imhof Eliza Douglas in Anne Imhof, Imagine, Galerie Buchholz, 2019, Photography: Nadine Fraczkowski 2019 – Image taken from Between Bridges website

Differently, it was through Art Basel LinkedIn page that I read of 2020Solidarity, a funding project launched by Between Bridges foundation. The idea attracted over fifty artists who came together to design an A2-size poster each. The participant list includes Anne Imhof, Mark Leckey, Seth Price, and BB’s initiator Wolfgang Tillmans among other international names. Their creations are being offered to those cultural organisations in need of financial support which, then, will offer them as rewards for a 50€ / £50 / $50 donation. 2020Solidarity represents a small yet real way for artists to help organisations whose mission is primarily to support artists. The cultural ecosystem has evolved during the pandemic. In fact, both parts, artists and organisations, can be supported or supporters interchangeably.

This week I benefitted from lots of different stimuli finding relief in literature, art, and social initiatives. They reminded me that the world is still full of hope, dreams, creativity and, above all, human beings ready to stand-up in support of each other and their values.

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Social distancing – Week 7: Home Cooking – “Collective Intelligence” a collectively owned artwork

Home Cooking, “a digest of new artworks, scores, events, and actions started during this time of suspension.” Its first post on Instagram is dated 22nd March 2020, the day the lockdown started in London. The project was kicked off by the British artist Marianna Simnett together with peer artists and friends. Home Cooking is a platform where artists, creatives, and thinkers from around the world share their ideas and projects. How? Through Instagram posts and takeovers, Livestream interventions, conversations, and interviews on Instagram, Twitch, and Zoom. Art is the beating heart of the project.

It is though Home Cooking that I learnt about the new typeface, “Emergence”, created by artist Agnieszka Kurant in collaboration with designer and typographer Radim Pesko. The font is the result of a couple of years of work during time which the duo has been collecting and analysing 26 different typefaces. Like in a puzzle, “Emergence” has been made by assembling small parts obtained by breaking down the structure of the 26 fonts. On Friday 24th April, during the project presentation in Home Cooking, Kurant and Pesko unveiled the first version of “Emergence.”  They explained that the font could take on different shapes and change by diversifying the assembling combinations. After the initial presentation, Kurant launched an open call inviting artists, writers, and thinkers to participate by submitting a sentence that reflects on the Coronacene. The gathered sentences will form a collectively owned artwork, “Collective Intelligence.”  The open call announces that the collectively made work would be auctioned so to generate revenue to be shared among the artwork’s authors.

From Home Cooking – 12th May 2020:

Dear friends and friends of friends,
A few days ago on Home Cooking, we launched a collective-intelligence artwork that I developed together with the typographer Radim Pesko — the typeface we called “Emergence.”
A video of the presentation and discussion we had for Home Cooking with the sociologist Janek Sowa and the theorist Stephen Wright around the concepts behind Emergence can be found here:
https://vimeo.com/414483803
We are kindly inviting artists, writers, and thinkers to send us a single phrase or sentence, reflecting on the ways in which today, especially during the Coronacene, both the self and the crowd have mutated into new, unexpected forms. Let’s think and talk about collective intelligence, the evolution and plasticity of the social brain and social bonds, self-organization, solidarity, the multitude, the self as polyphony, and the future of singular versus hybrid/collective authorship and sympoiesis/collective creativity. Please send us single phrases or sentences around these questions and we will turn them into individual posters using the Emergence typeface. This collection of posters will form Collective Intelligence: an artwork based on collective authorship, collective ownership, and profit sharing. Our goal is for this artwork/collection to be exhibited as a whole and collectively owned by many “shareholders,” both institutions and individuals. We hope to auction the poster collection’s “shares” several times and each time redistribute the profits among participating artists, writers, and thinkers who need it most these days. It could develop into many interesting directions. Please send your contributions (a single sentence or phrase) to Radim Peško mail@radimpesko.com or myself info@kurantstudio.com. Please share this freely with other artists, writers, and thinkers.

The investigative aspect of “Collective Intelligence” dominates the whole project. The resulting artwork and its potential sales and profit will test not only the possibility to generate income for a group but also the concepts of collective ownership and authorship. Whereas, it is no doubt that thinking about Universal  Basic Income and testing its feasibility is crucial in the age of Coronacene. As the project requires the mental switch from individual to a collective mind-set with the subsequent knockdown of capitalistic ideas, I expect this to generate extensive debate. So, let’s stay tuned and follow the project on #collectiveintelligence and  @____homecooking____

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Social distancing – Week 6: “2 Lizards” by Meriem Bennani and Orian Barki

Have you ever read “The Best and The Worst of The Art World” which Artnet publishes every Friday? It is a bullet point list of news divided into two categories, predictably “Best” and “Worst”. Reading it is for fun. It is like taking a quiz in which one can also learn by reading just the news in capsules. Often, while going through the list, I become curious about something and decide to go deeper by clicking on the article links. It was in this way that I found out about the popular video series, “2 Lizards”. The project was launched on Instagram IGTV in early March by artist Meriem Bennani, in collaboration with documentary filmmaker Orian Barki (both millennials and based in New York).

The series is presented in 2-minute episodes mixing 3D-renderings of animals set against real footage. The main characters are two lizards living in Brooklyn during the lockdown sharing their thoughts, concerns, and feelings of isolation. The neighbours are animals of other species. Since the first episode (there are five to date), the artist duo has been contacted by creatives willing to contribute to the project. So, they opened up and started remote collaborations with friends and peers, adding soundtracks and voices to the films.

Episode 1 went viral getting more than 154k views at the time of writing. How comes that these short videos are so popular??? They are comforting. We can easily identify with the animated characters as they express our own feelings perfectly. In fact, both plots and dialogues are taken from everyday situations we are all living through in this strange time of social distancing. In the first chapter, the 2 lizards snoop at their neighbourhood from a terrace while conversing on the quarantine optimistically. “In a fucked up way, I’m loving this,” says one. The other answers back: “That is such a quarantine week one thing to say.” 

Episode 4 is about a feline nurse’s day-to-day life who talks with the two reptiles. The cat-nurse reports one heart-breaking event that happened during one of her shifts at the hospital. A patient connected to a ventilator, telephones his wife. The nurse, who was holding the mobile to the patient’s ear, explains how bad she felt as all the wife could hear was a ventilator. The video ends with the ubiquitous clapping for carers from balconies, and the nurse asserting “this pandemic has made me way cooler than I really am.”

Episode 5 is probably the most iconic of the series until now. The 2 reptiles go out for a stroll in a deserted New York City. They discuss how the city has changed and how, after all, still looks normal if not for the frozen economy. At a certain point, one of the lizards gets a call from her French mother. The mother-daughter chat reveals a condition familiar to many living in big cities, living overseas from their families while having news updates from home countries. When the phone call ends, the other companion needs to pee. Soon the buddies realise nothing is really the same during the lockdown. Starbucks is closed, and the lizard answers the call of nature in Time Square, pointing out that there is nobody around.

Bennani and Barki cunningly translate what we hear and see on TV and social media onto these witty micro-videos. What I felt from watching the episodes is that I am a person like many others. I find in these short animations something that belongs to me too, hope and anxiety. The reptiles’ lives and their dialogues perfectly embody our current ordinary in the uncertainty of the pandemic.

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Social distancing – Week 5: Earth Day 2020

I started this post, initially, writing about how galleries are collaborating to create online events. A couple of examples are “Platform New York” and “Platform London” launched by David Zwirner to support smaller galleries in the respective cities. Also, I found “Not Cancelled”, which instead presents online art weeks in different European cities (this week is the turn of Warsaw and Paris – until April 30th and May 5th respectively). As we are continuously overwhelmed by cyber art events, Livestreams, and tips to get through social distancing, I felt my topic has become less exciting. So I changed the subject and chose to offer you some hints to reflect on our world and the time we live in. Wednesday 22nd April 2020 was the Earth Day and two artists – Olafur Eliasson and Michael Moore – responded to the event by presenting their latest projects.

For the occasion, the Danish-Icelandic artist Olafur Eliasson launched “Earth Perspectives”, a new interactive work that invites the public to think about the planet we inhabit. Presented as part of the Serpentine Galleries’ “Back to Earth” initiative, the artist’s new project comprises nine animations which have been posted on Instagram at different hours of Earth Day 2020. Each animation represents the globe in pink (land) and orange (oceans) seen from different latitudes. In the centre of each representation, there is a black spot at which we are asked to stare for 10 seconds. After that, if we focus on a neutral surface, an afterimage appears. Each animation highlights one different environmental issue and, through the optical trick, encourages the audience to think about climate change from different perspectives.

Meanwhile, in America, the filmmaker, author, and activist Michael Moore released his new film, “Planets of the Humans”. The documentary shows green energy solutions are not clean and renewable as they seem to be. Moore argues that they rely upon fossil fuel to function, and brings as examples solar and biomass energies, among others. On one side, the film leaves spectators puzzled about the sustainability of green energy as a means to save our planet. On the other hand, it provoked (and still does) the anger of many from environment campaigners to scientists. As reported from the Guardian, “Films For Action, an online library of videos, temporarily took down the film after describing it as ‘full of misinformation’.” Aside from the harsh critique, the documentary highlights that we, human beings, are too many, and our beloved planet is overpopulated. Consequently, there are not enough resources for all.

Eliasson engages the audience through Instagram, while Moore makes his work available for free on both Film For Action and YouTube. Both are using hugely popular online platforms to spread their work and get people thinking about climate change. Indeed, we are challenged to question the information we retrieve to tackle the problem with fresh eyes. Will we find viable solutions to preserve humankind whilst also protecting planet Earth? Are we supposed to choose between the two?

I don’t know.

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Social distancing – Week 4: The Ozone Layering Method by Keiken

This week I explore the Ozone project by the art collective based in Berlin and London, KeiKen, who took over Hek’s Instagram page last Tuesday.  HeK (House of electronic arts in Basel, CH) invited the collective as part of the lockdown initiative, #HekNetWorks which supports artists’ net-based projects created during the pandemic.

For the event, Keiken launched the Ozone filter, a new Instagram filter through which users could practice meditation connecting with their surrounding environment. The filter generates an augmented reality where the environment is layered onto the users’ face appearing as one entity. The project has been presented as the Ozone Layering Method for which Keiken led Livestream lessons. The collective taught how to use the filter (you can find it on both Hek and Keiken’s Instagram pages) to reach our higher selves through the digital spiritual practice. From the Ozone Layering Method steps: “users must practice still or with slow movements whilst their environment moves around them.” You can practice anywhere, but the best effects are obtained when outside.

https://www.instagram.com/p/B-9af0bFKft/

If you use the filter in the open air, your surrounding reflects onto your face. I thought that having the sky on my face was a gorgeous idea, and I decided to try the Ozone filter. As soon as I tried it and had the sky mapped onto my forehead, a song popped up in my mind, “Il Cielo in Una Stanza” (The Sky in a Room) by Gino Paoli (1960). This song was used in 2018 by the Icelandic artist Ragnar Kjartansson for a performance co-commissioned by Artes Mundi and National Museum of Wales, “The Sky in a Room” (3rd Feb – 11th Mar 2018 at the National Museum of Cardiff). In a video, the artist said: “Gino Paoli wrote about being in a space that suddenly transforms into endless woods, the ceiling becomes sky with stars etc. […] and everything becomes, transforms.”

Therefore, when outdoor using Keiken’s Ozone filter, your head (the walls) clears and becomes sky. The result is potentially endless and pure content that occupies our minds in the digital reality we inhabit while using Instagram. Definitely a beautiful way to use social media during such an uncertain time!

After the takeover of Hek’s Instagram page last week, Keiken announced they will launch a new filter every Tuesday of the lockdown. Today is Tuesday, so stay tuned, meditate, and visit @_Keiken_ to find out what’s next!

Screenshot taken from Keiken story of Monday 21st April.
Screenshot taken from Keiken story of Monday 21st April.

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